Examples include Britannic (Stephenson Blake), Chambord Bold (Olive), Koloss (Ludwig & Mayer), Matthews (ATF) and Radiant Heavy (Ludlow). In addition, we see the development of semi-fatface lineals or Sans-Serif Semi-Fatfaces. Serifed designs like Bauer’s Bernard Roman Extra Bold and ATF’s Bold Antique appear. What you might call Semi-Fatfaced Romans begin to replace the extreme Fatfaces. Later, in the period from about 1890 to 1950, you find a number of typeface designs with the thin stroke beefed up a bit, not quite so extreme. 5." Copied by many foundries, it became one of the more popular advertising types of the day. The earliest example that is generally familiar is Thorowgood, believed to have been designed by Robert Thorne and released by Thorowgood Foundry in 1820 as "Five-line Pica No. ![]() ![]() The Fatface is a name given to the popular nineteenth-century romans that where characterized by an extremity of contrast between the thick and thin stroke. Petrarka may be described as a Condensed, Sans-Serif, Semi-Fatface Roman.
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